The Decks and the Road
Renegotiating
Kaylin
Chapter 28- Has Anybody Seen Kaylin?
Tayeton- I would
never forget her, and the clarity she brought to my life. It’s hard for a man to fairly give to his
children when he’s living with fragments of himself. I’d been holding on to what felt like an
untimely question since Memorial Day. Certainly,
there’s no disagreement that Monica Shepherd and Kat Shepherd are uniquely
different. These days they get along
just fine as long as Monica’s uniqueness walks Kat’s fine line. I never get in the middle, and never saw a
reason to. Then came Monica’s
question. She did her best to corner me,
and not alert all the antennas in the room, but it still felt untimely; not
that I could think of a better time.
“Would it
be too hard for you to consider that your father may have directly caused you
to be ill?” She’d be better to describe
to you my look of not just surprise but probably disgrace and regret. Besides, what could she know about my father?
“Not now
Monica.” It was the only response I could give. Yet, it did nothing to sooth the effect of the
question or to drive it out of my mind.
Had all that had transpired not happened, then maybe I could have better
shrugged it off. Instead, it called to
mind the day that I walked into his office after my incident on the highway.
It was a
much deeper question that the one that I continued to ask myself and that
lingered with me; the question of why he had brought me onboard at Simpleton
and Fisher in the first place. As a
result of Monica’s inability to walk the line, I was stuck with both questions with
no visible way of gathering any answers.
That was until my sister let me in on a secret she’d been keeping; until
I met Rose.
I’m still trying
to determine if her life had walked by mine, or if my life had walked by
hers. Her face didn’t only light up the
first time she met me, but each time she saw me. And as I stand over the shell of her now, I
still feel like she’s happy to see me. I
never thought I’d have the pleasure of knowing her much less burying her.
She’d
taken me by the hand that first meeting.
We had stepped onto her porch, and she’d looked me deep in the
eyes. “I’m sorry I advised your mother
against you. It wasn’t exactly the idea
of you, but I wanted to protect her. We
weren’t always at a distant you know.
She used to confide in me, and she told me what had happened. It was Led she was in love with not Walter,
and everyone knew it. She wanted to pass
you off. I don’t know how it’s been for
you. Maybe it wouldn’t have been so bad
after all. Anyway, I’m glad you came.” It didn’t come to affection that day, but we
squeezed each other’s hand tightly and it meant something deeply. The
next time we saw each other I brought the family and a few of her tears caught
William by surprise. My only wish is
that Kaylin were here now.
Chapter 29- Multiple Shades of Green
Kayla- It’s been
months since I’ve seen him. He never
negotiates on the phone, and it’s one of the pointers he gave me early on. I didn’t exactly use those terms, but I did
mention that things had changed. Maybe in his wisdom and experience that was
code for “negotiation”. I’ve been
considering it all since before the cruise, our renewed vows, and the picture
of my Next future. But he lit the spark,
and I’m looking forward to seeing him.
It’s still early and I’m sitting on the bed with the album from the
wedding and our time in Cuba in front of me.
It’s all there; all the highlights, and on the first two pages two cards
with our individual vows printed out. I
read them often now, and it helps to keep all the pieces of my life in order.
I arrive
at Simpleton and Fisher even before Mr. Simpleton. My room is filled with boxes and most of them
are already filled when he knocks on the door.
I quickly gather a few things and head to his office. I think I’m only a few steps behind, but he’s
already seated when I get to the door.
“Come on
in Kayla.” His blinds are pulled
up, his coffee is already made, and I realize I’m more than a few steps
behind him.
“So tell
me how things have changed.” He asks
while writing on his calendar and looking up only briefly.
“It’s my
marriage. It’s taken a beating since I
took the job, and I’m doing my best to salvage it.” I don’t take a seat just yet and remain
standing.
“I see you’ve
brought some things.”
“I’ll like
to talk about my third book, and offer you my resignation.”
“There’s already
a contract for your third book. What is
there to talk about?”
“It’s my
father. He passed away and he left me
with a book he wrote. I was thinking you
might take a look.”
“I might,
but what does it have to do with your third book?”
“I’ll like
to go in another direction. Maybe
negotiate some new. But perhaps I can
offer my father’s book in place of my third.
It’s just a thought.”
“You have
a gift to negotiate contracts. Probably
even more than that. Are you abandoning
that gift?” Our eyes have connected and
his question draws the rest of what I’m thinking out of me.
“I’ll like
to see if I could do it on my own.”
“Be
self-employed you mean.”
“Yes.”
“I’ll like
to hire you, and I’ll like an exclusive contract stating that you won’t
negotiate for any of our competitors.”
“Can I
sleep on it?”
“Do you
have a letter for me?”
“I
do. And about the book?”
“Draw me
up a proposal for what you have in mind.
Leave the manuscript. I’ll let
you know if it works.” I break a faint
smile and set the letter and my father’s manuscript in his incoming tray. I’ve already read it, and I know it
works. Just as I’m exiting, I hear the
words Mrs. Singletary. I look back and
he fills the air with, “Good work.”
I take Mr.
Simpleton’s “Good work” with me all the way to Ample Records. Two days have passed and I’m as prepared as I
will ever be. They know why I’m
coming. We’ve been corresponding for
weeks since I sent my letter. When I
walk through the doors I’m greeted by a tall woman standing in the waiting area. It’s only moments before I know she’s the one
I’ve come to see. She’s a cross between
a model and a well-dressed action hero.
We’ve spoken, and I know she’s tough.
I follow her lead and we come to a small conference room. She points me to a seat, and before I can
sit, he enters the room. It’s a familiar
face, and we’re both taken aback. He
breaks a smile and head in my direction.
I extend my hand and set the first terms.
“Sam,
right?”
“Right. And you’re the author of that blockbuster of
a novel. What are you doing here?”
“I’m here
to negotiate the terms pertaining to the theft of the song ‘Coming Together’
and two others on Radiance Dunbar’s album.”
“Okay. And you look so agreeable.”
“I know.”
“So, you’ve
met Reece; our Exec. And I understand
your client was a girlfriend of our scout?”
“Correct.” We’ve all taken our seats, and I’m examining
the two. It’s not easy to detect, but I
can see that they’re more than a team.
“And
remind me why Ample is responsible for this?”
“He’s your
scout, she’s talent, and he’s also the brother of your Exec.” At my words Reece’s hands move to a cuff
beneath her chin and I can clearly see her irritation, but she’s been trained
well and remains quiet.
“What’s
the resolution you have in mind?” My
terms are unique. Not any I’m sure he’s
thought of. I have them printed out and
I slide a copy to both. She looks on his
paper, and I know he’s the negotiator.
He reads a few lines and looks up.
His eyes return to the document and his finger starts tracing the
words.
“We’ll
need some time to consider.”
“What are
your options?” I hope to close.
“Okay, let’s
break and pick back up in about three hours.”
“Three
hours it is.”
It’s
Saturday, and he skipped ball. We’re
heading to the art gallery. There’s
something I want him to see. She hasn’t
said anything, nor have I, but I did connect the dots. It’s the new Monica Shepherd Collection…
there’s something familiar about it. It’s
hard to pin point unless you see it in the right order, and I’m curious to know
if he’ll detect anything. We enter and
the place is full of people pointing and discussing. I don’t lead or coach him and we initially
wander in different directions. I make a
note of some of the new pieces and register some of the names and signatures
until he takes my hand and says,
“There’s a
collection I think you might like.”
There’s a girl, but her face is shadowed by leaves and small strokes of
the brush that makes it almost hard to spot her. Her hair is like many branches and it’s
interwoven with the leaves. There are
deep blues, brown, multiple shades of green, and sparks of red and yellow here
and there. We stand in front of this
particular painting pointing out all the eyes findings. Then he concludes, “I think we should get it.”
Renegotiating Kaylin, a novel
Copyright
2019 by Natisha Renee Williams and Grace Call Communications, LLC
All Rights
Reserved, including the right of reproduction in whole or in
part in any form.
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